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Posted on 26 July 2015 (0)

Welcome to my blog, which I use as a website, not for daily blog entries, which are not my style. I prefer conversation in person or via the printed word. Everyday Racism: Questions & Quandaries, my third collection of personal essays pondering everyday racism (including my own) is now in print. The racial justice publisher Crandall, Dostie and Douglass Books will distribute it starting this fall. Check out www.cddbooks.com for their full list of books including my two earlier booklets in what has turned into a What Was I Thinking? series. Or contact me at (BeckwithB@aol.com).

My 2nd booklet on race-related essays is out

Posted on 23 October 2012 (262)

My 2nd booklet of personal essays, What Was I Thinking? Digging Deeper into Everyday Racism is just out and available from my distributor. The racial justice publisher Crandall, Dostie and Douglass Books sells it for $8.95 at www.cddbooks.com. In them, I re-examine my high school textbook; view (and misjudge) my mother’s racial views, and learn how to show cultural respect. I also struggle to “see” institutional racism, rebel against the current “bloodlines” craze, and reconcile myself to anti-racist jargon. A final chapter gives capsule reviews of 18 new books that I recommend to anyone concerned about racial justice. And if you missed my first booklet, What Was I Thinking? Reflecting on Everyday Racism (2010), it’s also available at www.cddbooks.com. […]

Everyday Racism: Questions & Quandaries 3rd in the What Was I Thinking? series(2015) Table of Contents

Posted on 29 July 2015 (0)

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Lillian’s Last Affair – book review

Posted on 25 May 2014 (0)

The characters in Sue Katz’ Lillian’s Last Affair and Other Stories, may be 65+ in age, but after reading these six stories (www.suekatz.com), you’ll never again assume that you know what a “little old lady” is thinking or doing. These fictional characters face challenges anyone may encounter, from gold-digging lotharios to neighbors who block shared hallways, plus challenges that mostly come with age: ingrown toenails, chemo, widowhood, arthritis, Meals on Wheels, and grandchildren you’re expected to devote yourself to, but which one character sees “small people trying to climb up and colonize her.” Katz’s characters are also always aware of class: from how easy it can be for a rich woman to divorce a boring husband, to sympathy for the tough job of a driver given a lousy van to transport seniors. These women aren’t simple-minded: as one says, “Life never gives you a chance to feel one pure emotion at a time.” One character’s annoyance at her partner’s habits vies with distaste or her own petty irritation. They may say “please” but think fuck you” when those in power patronize or ignore them. They value honesty (“there was plenty of chatter, mind you, just no candor”) and are not above engaging in power games. They also often encounter unexpected lust: one gets “shivery and hot” at a mere pat on the hand. Being from a generation that rarely talk about experiences involving their “privates,” they can be surprised by who and what turns them on. The six stories manage to cover a variety of sexual proclivities, and the sexual scenes are wonderfully elliptical (“he zeroed straight to the most sensitive crevices”) Sue Katz, as a seniors dance and exercise teacher, knows what seniors are capable of, and lets it all hang out in these six delicious stories.

Writing Process Blog Tour

Posted on 24 May 2014 (0)

Earlier this month, on the National Writers Union book forum, I wrote that that all blog tours seemed to be expensive scams. I was mistaken: Sue Katz author of Lillian’s Last Affair, available on Amazon, responded that she was participating in a writer-organized Writing Process Blog Tour that is no scam; nor does it involve money.

A week later, Leslie Brunetta, who’d been invited by Katz to post on this tour (Katz also invited prolific writer/editor/publisher, Ken Wachsberger) and Adina Schecter to join the tour.

I of course agreed: Leslie’s quirky, essays inspire me, especially the way they spin philosophical and scientific insights together via metaphors that charm and clarify. One essay led to a book, Spider Silk: Evolution and 400 Million Years of Spinning, Waiting, Snagging and Mating, co-authored by spider scientist Catherine L. Craig (Yale University Press).

So what am I working on?

I’m struggling right now to convey my experiences with and thoughts about anti-Semitic stereotypes. It will be the final piece for my third booklet of essays. I started the series started with What Was I Thinking? Reflecting on Everyday Racism (2009) and then What Was I Thinking: Digging Deeper into Everyday Racism (2012). They’re distributed by the racial justice book publisher, . www.cddbooks.com.Crandall Dostie and Douglass Books

Why do I write what I do?

Because I’m white. Because racism is a white problem. Because I grew up never talking about it, and not until the 1980s did I act to counter it.

My essay topics come out of the issues raised in the workshop I took and now co-lead in Cambridge (MA) called “White People Challenging Racism: Moving From Talk to Action.” The course galvanized me to action in every sphere of my life. It also made me look back at my life as a white person (“Growing Up Oblivious”), and explore my failures of mind, heart and deed, with angst laced with humor and, hopefully, insight.

How does my work differ from others in the genre?

My essays ponder more than probe. When a question nags at me, I write to resolve it. One essay is about “aha” moments, when I’ve caught myself stereotyping. Another admits to misreading my mother’s attitudes toward eugenics, race and foster care. A third tackles the question: why read slave narratives? Others are about anti-racist jargon, nosy questions, and the power of a stare. One asks a question I continue to struggle with: as I listen intensely to others’ experiences, how can I stay honest to my own, although possibly flawed, understanding of reality?

I’m inspired by writers like Lois Mark Stalvey, who back in 1970 wrote The Education of a WASP, and more recently by Peggy McIntosh (Unpacking the Invisible Knapsack); Mab Segrest, (Memoir of a Race Traitor); Tim Wise (White Like Me), and Bernestine Singley (When Race Becomes Real: Black and White Writers Confront Their Personal Histories); and most recently, by Debby Irving (Waking Up White) and Lee Mun Wah (Let’s Get Real: What People of Color Can’t Say & Whites Won’t Ask About Racism).

How does my writing process work?

My ideas most often come to me in the midst of everyday life: as I drive in traffic that’s going 20 mph over the speed limit, as I race around a court with my racquet, pursing a ball, or as I stare into space at a noisy café. I jot down my idea fragments, and when enough snippets accumulate around a particular topic, like iron filings to a magnet, I freewrite. Then quickly, before my penciled scribbles become unintelligible, I type out my gangly sentences, ironing them out as I go. Then I revise. But since, in my view, cut-and-paste editing doesn’t give an essay a chance to “regrow” and deepen, I try to type each draft from the start. I never know how an essay will end: I write to find out.

Now, I hand off this blog tour to two writers I want you to know about:

Lisa Braxton is a kindred essay writer. I met her at a Meet the Agent event that my National Writers Union Boston Chapter co-sponsored with the Women’s National Book Association, and saw that she writes the kind of relationship essays worthy of The New York Times’ Modern Love column. We swapped essays via email and liked our mutual no-nonsense feedback. We’ve continued to run our essays past each other, and offer submission ideas. You can read some of her essays and short stories at www.lisabraxton.org. On her blog, she shares writer’s life experiences (with embedded advice), from planning a book party, to being part of a book club, to holding a book signing, to promoting your work, to the importance having a writing space of your own. Thanks to Lisa, I’ve learned about the indie bookstore, Frugal Books in Roxbury.

Terry Farish writes fiction for adults, young adults, and children. Her most recent book, The Good Braider, is written in free verse and in the voice of a Sudanese girl, but reads like a dramatic novel. Terry, who is white, has a long-term relationship with the Sudanese community in Portland (ME), and bases her story on their oral histories. “The Sudanese don’t talk about trauma, but I was a witness to it, and wrote this girl’s story as a way to honor her life.” She also produced a bilingual folktale, The Story of a Pumpkin, with Nepali-speaking refugees from Bhutan, and her next book will be a picture book about a Dominican family. Her blog www.terryfarish.com shows her commitment to community. On it, she invites students to write “the next chapter” to The Good Braider. She recommends other writers of “verse novels.” She also writes for the social justice and children’s literature blog, www.thepiratetree.com.

Speaking of community, participating in the Writing Process Blog Tour has made me feel part of a community of writers willing to share what, why and how we write, in the spirit of “I’ll show you mine if you show me yours.” I now pass that pleasure on to Lisa and to Terry.

Misremembering Dr. King

Posted on 18 May 2014 (0)

Jennifer J. Yanco’s Misremembering Dr. King – Revisiting the Legacy of Martin Luther King Jr. is out from Indiana University Press. Don’t be scared off by her academic publisher: Yanco writes in clear, non-jargon language how “we” (she includes herself) so easily forget Dr. King’s core beliefs. It’s easy for us, she says, to remember Dr. King’s non-violent civil disobedience, which justice movements have used ever since. But it’s harder to remember […]